Hi there, this is Mark Anderson from Andertoons.com. In this video, I am going to show you how I shade my cartoons in Photoshop. This is cartoon #6748, it’s about some bendy straws and one of those wacky curly straws, the teenage daughter has brought home the wacky curly straw, and there is no caption on here yet, I’ll fill in on the caption at the end but this is about shading, so let’s talk about that.
What I normally do is, I still do the ink on paper and then I scan it into Photoshop and create a layer, and the ink layer is a multiply one that’s on top, and then I shade underneath it. What I’m using is a pattern stamp tool, and the pattern that I’m using is actually one that I created from my old Prismacolor markers. I usually do all of the shading on the paper and then scan it all in and I miss being able to do there, but the older I get the larger I have to draw, because my eyes are – my vision is abandoning me as I get older.
So I have to draw bigger and that takes a lot of marker to shade, and it takes a lot of time, I was going through markers like crazy. So what I began doing a while ago is that, I still do the line art on paper but now I do the shading in Photoshop. So what the pattern I am using is I scanned in, I took my markers and did big, big swatch of shading on my paper and then I scanned it into Photoshop and created the sort of like never ending patterns from them. I tried to find, I usually have the bookmark of the tutorial that shows you how to do it, but man I cannot find that anymore.
So it’s a good thing I have those patterns, I backed them up so that I have them, but if you look online, I am sure there is no end of tutorials on how to create repeating patterns that don’t look terrible. Just Google that repeating patterns that don’t look terrible, I am so helpful. So what I am doing here is I am – what I tend to do is I shade big swatch of stuff, and then I go in and erase out the parts that I don’t like, you can see there is like some overhanging there on the couch that I am getting rid of now and I’ll sort of erase around the straws here so that they pop.
Normally, I wouldn’t shade this much on a cartoon, I don’t like to shade the furniture, I just normally shade what’s important and I will shade characters and their hair and their clothing and what have you. But for this one, the straw is needed to pop out, they need to be like those standard white bendy straw with a little stripe, so what I chose to do was shade the furniture and sort of cut them out of the, oh wrong layer, sort of I do that a lot. I’m not great at Photoshop, I’m okay at it, but I can get by – if nothing else by watching this video, maybe you will feel better about your own Photoshop skills because I am not great at it, but I am good enough and maybe if nothing else you feel better about your skills having watched me flounder around here for a little bit.
So yeah I cut out the stuff that I don’t want, so that’s what I chose to do on this, I am using like a 10%, what would be like a 10% marker, a real, real light, light shading so that they pop out a little bit, and I will probably shade the bendy straw so that he pops out a little bit as being different from the other straws, and those crazy whacky straws, I don’t know what the name for those are, but they are using like fluorescent, purple or green or something like that, so I am sure I will shade him a little bit later on here.
I’m not sure how these straws are seated – that was one of the problems of drawing this cartoon. My theory is this, is that there is shag carpeting and at the bottoms of the straws are stuck in this shag carpeting, and then they are really good at balancing up against the furniture so that they don’t fall over, that’s my theory, and you would think that I know being the creator but I don’t really and it’s one of those things like the more you think about it, the less you go like, the more you go like this doesn’t make any sense, I am shading the – some more furniture back there now and I’ll fiddle with the opacity, looks like I am fiddling with the opacity a little bit.
What I found recently is that, when I work in layers like this, opacity is not the greatest idea and I am sure everyone out there is like, well no because then everything becomes like see through and no, so what I have, hey look at that, I am adjusting the brightness, good job me, maybe this is the cartoon where I figured that out, and wrong layer, take two. What I do now is that I adjust the brightness or contrast, I forgot where that tool is in the menu, but adjust brightness I like using a lot, and then I can sort of fiddle with it, I like to fiddle, I like to shade things and then I’ll fiddle with them.
So here I am sort of cropping to the size I keep my full-size originals at, and then I should be putting the caption on here pretty soon, I got to get rid of that little scanning shadow out there, that’s a problem, yup, got rid of that, and here comes the caption, see — anybody want to take a guess there, before I fill it in. I will leave there little space, any caption ideas, alright here it comes. The caption is, I am creating my paragraph box, the suspense is killing you, isn’t it? Here it comes. Come on man, type it. “Philip is an artist!” That’s the idea behind this cartoon, so they are just regular straws but he is that curly straw and so he is not just any boyfriend, she is really pleased because he is an artist. And so that’s why he has got that curly top, so it looks like the mom is okay with Philip there, dad not quite sure, although I think the dad’s probably not quite sure of any straw that she brings home just because he is a dad, but I love the look of his face where he has got that raised eyebrow and that little line underneath where he is sort of squinting like, I don’t know what to make with this young man, I don’t like him, I don’t like him and I don’t approve.
So now I am going to do some more shading here, here it comes, so I am going to shade him and then we should be finishing up. I hope you have enjoyed this, I have a bunch of other videos on YouTube where I show you sketch and ink and do all sorts of other things, and of course please visit Andertoons.com where I have thousands of cartoons on all sorts of subjects including Bendy straws, thousands of cartoons on all kinds of stuff that you can use for presentations and newsletters and blogs and social media. I have the new cartoon subscriptions feature, which is really, really great if you need or want to use cartoons to complement your own content, so yeah come on over and check out andertoons.com, if you get a chance I’d appreciate it.
So just finishing up here, I am not exactly sure how much time I have left because they changed up iMovie on me, and it’s hard to tell, I know, wait, thanks to that little thing there, I am at 8:06 minutes and I think this is just about 9 minutes long so we are just about at the end. Usually the last thing I do is spellcheck before I save, because I am sort of paranoid about spelling, so when I see the spellcheck you will know that we should be just about done that’s sort of my ritual is, that’s the last thing I do. So I am not sure, hey look at that, spellcheck.
Alright everybody, thanks so much for watching, I hope you enjoyed it, have a great day. Good bye.
Christmas is coming up quick, so I thought I’d share this year’s batch of Christmas cartoons. Grab some cocoa and enjoy:
I don’t know a lot about Hanukkah or Kwanzaa, so I’m a little uncomfortable writing cartoons for them. For that matter I also avoid the religious aspects of Christmas, preferring to stick mostly to Santa, etc… But every year I do try to offer at least one winter-themed cartoon to round things out a bit more, and I’m really happy with this one.
I worried that it might be a bit subtle, so I gave the Dad snowman four buttons instead of three to drive the point home. Seriously, this is something I think about.
This is one of those Christmas cartoons that needed a little help. The joke was always there, but when I was shading I noticed that I’d drawn the leg the boy is sitting one much smaller than the other. Honestly, Santa looked like a pirate or maybe something out of an old Twilight Zone episode. (The boy gets his wish but is then horribly and ironically disfigured!) Anyway, it was Photoshop to the rescue and Christmas was saved!
This one took the most most effort of this year’s batch of Christmas cartoons. Firstly, it’s a really long caption that I had a lot of trouble nailing down. So the number of words written, then rewritten, then revised, then thrown out completely and restarted was absurd. Secondly, drawing all those little Christmas tree branches and needles and lights… Ugh! And it didn’t come out right until about the third ink. Then it was on to shading which meant testing all kinds of brushes and patterns and opacities to get the tree just right. Finally I showed it all to my wife and she didn’t get it. Did! Not! Get! It! But after a few more rewrites I think it ended up pretty good. Mostly I’m just glad it’s done. (Bah! Humbug!)
When I get stuck for a caption I like to take the subject I’m working on and put it in a banal business setting to see what happens. So you put some overworked elves, that burning empty carafe smell, substitute cocoa for coffee and you’ve got yourself a cartoon!
There are a lot of more straightforward ways to write this caption:
And normally I advocate for trimming captions as much as possible, but for whatever reason this cartoon felt like it needed a longer caption.
OK, the aforementioned tree cartoon probably took the longest of this year’s Christmas cartoons to draw, but this cartoon took the most time to conceive visually. It’s a very specific caption as far as the ornament goes, so you can’t really fudge the art. I spent quite a bit of time in Google images researching DIY yarn decorations, mouse shaped ornaments, and how yarn looks close up. All in all I think it turned out well and I think it rings true.
So that’s it for this year’s batch. Looking for more? Head on over to the main site and check out the rest of my Christmas cartoons!
And here’s some other Christmas blogs you might like:
Thanksgiving is almost here, and this year I thought I’d show you how to draw your very own cartoon Pilgrim!
When you’re finished, feel free to tweet, pin, email or otherwise share a pic of your Pilgrim with me and I’ll post it over at Pinterest! And if you’d like to grab the tutorial to post on your own blog or website, you’re more than welcome to. (A link back would be appreciated.) Enjoy:
Easy, right? You should try out my other how-to-draw tutorials too! Here’s just a few:
Feel free to check out my Thanksgiving cartoons too!
This weekend was the Festival of Cartoon Art at Ohio State University. It was also the grand opening of the new Billy Ireland Cartoon Library and Museum. It was a tremendous weekend, and I thought I’d share a bit of the experience.
I arrived Friday evening, so I missed both the academic presentations and the ribbon cutting, but my flight was good and I had copious legroom, so I can’t complain.
I stayed at the Blackwell Inn which is where I believe the event was held when my wife and I first attended 12 years ago. Three years ago I found the shuttle buses were often late, and the Blackwell is just a short walk so I could come and go as I pleased. If you can get a room for the next festival I’d highly recommend it.
The next morning, after a quick breakfast at McDonald’s, I checked in and almost immediately ran into Rich Diesslin and we chatted for a bit. Then I found Stacy Curtis and his wife and we caught up over coffee. After that it was time to get things rolling with the presentation of the until recently dormant Elzie Segar Award to Lucy Shelton Caswell. And not only did she get a lovely statuette, but a standing ovation from the appreciative audience. Congrats, Lucy!
After that it was on to hear the first speaker of the day, editorial cartoonist Matt Bors. While I’ve certainly become more aware of Bors’ work in recent years, I haven’t made the time to really dig into it, so I was glad to get the opportunity. I very much enjoyed how Bors is, as he put it, “inspired but the urge to call bullshit.” And I especially appreciated how he strives to avoid the standard low hanging fruit type gags.
Between speakers I got to say hello to old friend Tom Stemmle and his wife who was snapping pictures. It’s always so nice to see them, and the Mrs. usually mails out photos. I can’t wait to see them!
Next up was Eddie Campbell, another artist whose work I’m not familiar with, but, again, he was an entertaining speaker. His comic and video about his encounter with the possibly fictitious insect, the Snooter, was a highlight. Well, except for the rectal exam part. (I really hope that bug is fictitious.)
After Campbell I had a reasonable lunch and then gorged myself at the new Billy Ireland Cartoon Library and Museum. There’s so much incredible material on display that I was overwhelmed. Honestly, I teared up a bit while taking in a Watterson watercolor. This beautiful new facility and its contents has to been seen to be believed. Enjoy this small sampling:
It was at the museum that I ran into Chris Sparks, editor of the Team Cul de Sac book. He and I chatted about the exhibit and I signed a few Team Cul de Sac books for him, immediately lowering their values. I was so happy to be able to be part of that book, and I’m certainly feeling Richard Thompson‘s absence at the festival this year. I’ve heard there’s going to be a combined show of Watterson and Thompson here next year. I’m going to have to figure out a way to come see it.
I headed back over to the Wexner center to hear Stephan Pastis speak when I ran into cartoony pal Maria Scrivan. While her very patient husband read nearby, Maria and I talked business, success, failures, editor/spouses and more. It was so much fun that I ended up being late to Pastis’ talk. My apologies to the people I stepped on while finding my seat. I’m an oaf.
I don’t know if it was coming after similarly structured chats from Bors and Campbell, but I was hoping for less of a general audience aimed talk from Pastis and something meatier for the largely cartoonist audience. Still, it was entertaining, the hate mail stories are amazing, and the Cathy Guisewite naked Twister story is a real gem. (I’m not making that up.)
Following a short break we got to see the first real screening of the new documentary, Stripped, by Dave Kellett and Fred Schroeder. It’s really a love letter to the craft of cartooning and its creators. There are plenty of laughs, a lot of head-nodding-in-agreement moments, and even some very rare audio of Watterson himself talking cartoons.
The end of the film dealt more with the future of traditional comic strips and the promise of webcomics and their business model, which I found interesting, but I admit I would’ve liked to hear more than this one possible way forward.
They answered questions afterward, many of which dealt with the print to web transition. It got me thinking, are there any ‘old school’ comic strips that are in the process of or have successfully transitioned/embraced the web-centered paradigm? It feels to me like there’s a very sharp line between traditional print comics and web comics. Am I missing someone? I wonder what will happen to current print cartoonists when the newspaper model finally hits bottom.
One more thing about the film – I know the focus is on the comic strip genre, but I would’ve liked to have seen at least a small representation of gag cartoonists and editorial cartoonists as well. But, there are lots of things I’d like that don’t necessarily happen, and I can understand their need to target just the one discipline.
After that it was back to the Blackwell where I ordered pizza from a small local pizzeria (I’m in a college town after all!) and took time to type up the first day. I opted out of the Hernandez brothers presentation that evening as I ran out of steam and just wanted to enjoy my pizza in my Tabasco pajamas while watching the last half of Blade 2. It’s not pretty, but, hey, it’s honest.
The next day I got up, had breakfast and headed over to the Billy Ireland Museum for a behind the scenes tour of the stacks. It did not disappoint. The amount of material carefully and loving archived here is unbelievable. I joked with another tour attendee that I might try to hide so I could stay behind and bask in all the cartoony goodness, but I was only half joking.
I think when Andertoons is all said and done, this would probably be the place the send all my originals and stuff. They can use them as coasters or scratch paper or something.
After some writing and a quick lunch, it was on to Brian Basset’s talk. An OSU grad, he talked about his early career as an editorial cartoonist, his first strip, Adam@Home, and his other strip Red and Rover. He detailed his love of drawing body language, how he portrays his older brother in the strip, and how difficult it is to maintain Rover as a real dog.
Up next was Amulet‘s Kazu Kibuishi. I was quite excited to hear his talk and was very impressed. Both the boy and I adore his Amulet series, and Kibuishi had lots of art and process to share. He also shared a hilarious story about his near-death encounter with a Murphy bed, talked about how he sees himself more as a teachers aid encouraging kids to read, and then wowed the audience by taking questions while creating a painting on his laptop in real time. Amazing.
Finishing things up was Bone’s Jeff Smith who shared six of his favorite Bugs Bunny cartoons. It was so great to see them in 35mm with an audience. A true joy and what a perfect “That’s all, folks!” for the weekend.
Then it was a ride to the airport to see if I could get a flight home. My original flight was cancelled, but Chance at the United desk worked hard to get me reserved on two possible flights. I had dinner, grabbed some candy, found a seat where I could plug in my phone, and finished up this blog. Thankfully, I was able to get home safe, sound, and reasonably on time.
A big thanks to everyone involved at the Billy Ireland for putting together another fantastic event, a big thanks to the good folks at United for getting me home (eventually), and the biggest thanks to the Mrs. for taking the full brunt of the kids for the weekend. I’m looking forward to the next Festival of Cartoon Art in 2016.